Condenser Microphone Pair
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Samson C02 Stereo Pair Condenser Microphones List Price: $119.00 Sale Price: $95.00  |
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Samson C02 Condenser mics let you capture and record all the ambience and dynamic depth of acoustic guitars, piano, overhead drums, acoustic instruments, and vocals - in stereo! C02 microphones can be used either individually or in pairs for stereo recordings, neck and sound hole placement for miking acoustic guitars, and low/high octave placement in acoustic pianos... |
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Behringer C-2 Condenser Microphone Cardioid List Price: $129.99 Sale Price: $59.99 Used From: $99.00 |
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2 Matched True Condenser Microphones (price per pair, only sold in pairs) |
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NEW PAIR BEHRINGER C 4 STUDIO CONDENSER MICROPHONE C4 BUY IT NOW FREE FAST SHIP |  |
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US $72.88 | 15h 6m |
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MXL 603 S Condenser Professional Microphone Matched Pair | |
19 Bids | US $89.00 | 15h 47m |
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Nady SCM900 SCM 900 Condenser Microphone PAIR | |
0 Bid | US $79.99 | 18h 41m |
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Shure Small Diaphragm Condenser Microphone pair AA Battery Powered | |
5 Bids | US $37.00 | 19h 44m |
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MXL 550 551R Microphone Ensemble Pack Condenser Mic Pair Kit 550551R Ext Wrranty | |
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US $94.95 | 26d 17h 58m |
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Studio Projects C4 MkII Condenser Microphone Pair NEW | |
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US $399.99 | 20d 13h 48m |
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Behringer C2 Stand Mount Condenser Microphone Matched Pair C 2 c 2 | |
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US $64.99 | 22d 12h 55m |
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NEW PAIR BEHRINGER C 4 STUDIO CONDENSER MICROPHONE C4 BUY IT NOW Best Deal ebay | |
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US $63.88 | 1d 8h 7m |
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Pair OSP CL 700 Condenser Recording Microphone Black 48v Phantom Power | |
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US $139.98 | 17d 17h 48m |
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Karma Audio Productions K 10 Pencil Condenser Microphone Matched Pair Cardioid | |
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US $159.00 | 5d 22h 9m |
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Behringer C 4 Single Diaphragm Condenser Microphone Pair | |
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US $69.95 | 20d 12h 27m |
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Joe Meek JM27 PAC Condenser Microphone Stereo Pair NEW | |
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US $209.00 | 11d 11h 15m |
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YPA M606 PAIR Pencil Condenser Microphone Mic FREE SHIP | |
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US $79.99 | 18d 1h 12m |
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2 AKG C 1000 S Condenser Wireless Professional Microphone PAIR | |
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US $329.99 | 2d 22h 33m |
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AKG C214 Stereo Set Condenser Mic Microphone Pair c 214 | |
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US $697.78 | 28d 18h 36m |
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AKG C 414 XLS STEREO PAIR CONDENSER MICROPHONE C414 XLS ST | |
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US $1,586.00 | 28d 18h 14m |
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MXL 603 SPR Professional Condenser Microphone NEW PAIR | |
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US $160.00 | 28d 16h 9m |
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MXL 603 P Instrument Condenser Microphone Pair Mic Stands Extended Warranty | |
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US $199.00 | 27d 13h 56m |
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MXL 603 P Instrument Condenser Microphone Pair Mic w Cables Extended Warranty | |
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US $169.00 | 27d 13h 56m |
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MXL 550 551R Microphone Ensemble Pack Condenser Mic Pair Kit Stands Ext Warranty | |
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US $149.95 | 27d 13h 56m |
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MXL 550 551R Microphone Ensemble Pack Condenser Mic Pair Kit Cables Ext Warranty | |
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US $104.95 | 27d 13h 56m |
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MXL 603 P Instrument Condenser Microphone Pair Small Mic Extended Warranty | |
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US $159.00 | 26d 17h 58m |
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BEHRINGER C4 DIAPHRAGM CONDENSER MICROPHONE PAIR | |
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US $69.99 | 26d 15h |
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Behringer C 4 Studio Condenser Microphone Pair includes stand adapter and case | |
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US $75.99 | 26d 6h 50m |
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Audix scx one 1 Pair Condenser Microphone for Choir Classical Strings Mint | |
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US $643.23 | 25d 12h 31m |
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Studio Projects C4 Condenser Microphone Matched Pair with Case | |
2 Bids | US $78.00 | 4d 14h 11m |
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M Audio Pulsar II Small Diaphragm Studio Condenser Microphone Matched Pair | |
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US $299.99 | 24d 16h 45m |
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Mojave MA 100 Stereo tube condenser microphone | |
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US $1,595.00 | 21d 16h 36m |
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Rode NT1 A Matched Pair Studio Condenser Microphone NT1AMP | |
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US $549.00 | 19d 17h 48m |
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Shure KSM141 Cardioid Condenser Microphone Stereo PAIR KSM 141 KSM 141 | |
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US $719.99 | 18d 19h 43m |
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NEW ADK Hamburg Mk8 Mic Condenser Microphone PAIR | |
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US $699.00 | 17d 16h 57m |
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AKG C214 ST Matched Stereo Pair of Large Diaphragm Condenser Microphone | |
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US $899.00 | 15d 15h 38m |
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Milab VM44 CLASSIC M PAIR Matched Pair of VM44 Classic Condenser Microphone NEW | |
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US $3,240.95 | 14d 10h 2m |
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Studio Projects C1 PAIR of Two NEW Condenser Mic Microphone C 1 C 1 SP | |
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US $499.99 | 12d 16h 17m |
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JoeMeek JM47a PAIR of Two New Condenser Meekrophone Microphone JM 47A Mic | |
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US $274.99 | 12d 16h 14m |
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New AKG C214 Stereo Set Condenser Mic Microphone Pair | |
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US $899.00 | 11d 19h 14m |
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MIDAS FET HAND MADE CONDENSER MICROPHONE MATCHING PAIR 48v | |
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US $235.00 | 8d 11h 48m |
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MIDAS FET HAND MADE CONDENSER MICROPHONE MATCHING PAIR | |
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US $235.00 | 8d 11h 18m |
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NEW PAIR BEHRINGER C 4 STUDIO CONDENSER MICROPHONE C4 | |
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US $76.77 | 7d 20h 21m |
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Milab DC 96B MATCHED PAIR Cardioid Condenser Microphone | |
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US $4,040.95 | 7d 11h 20m |
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Pair Audio Technica AT873R Hypercardioid Condenser Microphone | |
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US $225.00 | 6d 19h 33m |
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Audio Technica AT2020 Condenser Microphone PAIR in MINT Condition | |
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US $180.00 | 4d 16h 49m |
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CHARTER OAK S600 Tube Condenser Microphone Pair BRAND NEW w Shocks PSU Case | |
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US $1,799.00 | 3d 8h 32m |
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Nady SPC 25 Condenser Recording Microphone Pair | |
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US $59.99 | 2d 10h 2m |
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AKG C214 Stereo Set Condenser Microphone –Pair w Case | |
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US $899.00 | 2d 9h 30m |
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M Audio Pulsar II Matched Pair Small Diaphragm Studio Condenser Microphone | |
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US $340.11 | 1d 23h 57m |
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Audio Technica AT857QMa CONDENSER STUDIO MICROPHONE MIC GOOSENECK PODIUM PAIR | |
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US $480.69 | 12d 23h 13m |
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STEREO PAIR OF OMNI CONDENSER PENCIL MICROPHONE CAPSULES MXL 603 604 | |
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US $45.00 | 2d 35m |
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PAIR of Oktava MK 012 01 Condenser Professional Microphones w shockmounts | |
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US $550.00 | 5d 15h 41m |
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Shure KSM137 ST Cardioid Condenser Studio Microphone Pair New | |
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US $665.00 | 7d 20h 48m |
[Musikmesse 09] New condenser mics from Behringer
How To Record Electric Guitar
Recording in the home studio is done more and more these days. The electric guitar is well suited to being captured within the restrictions of this environment. Guitar amplifiers are naturally quite loud, so compared to recording violin, less soundproofing is required, not to mention the possibility of using the vast array of Amp Simulators. With Amp Simulators, a good DI or a hardware amp simulator is all you need!
So all you have in your home studio beside your instruments and amp is an MBOX, a few microphone leads, a dynamic and condenser microphone, computer, monitors and a stand! Not much, but more than enough to capture a great guitar recording. As two inputs are enough in most cases, some interesting techniques can help you get the sound you've always wanted.
One of the first things to do is make sure you have a great sounding instrument that is properly setup, has relatively new strings and of course, is in tune. An out of tune guitar is one of the remaining things that you can't "Fix" in pro tools! A good amplifier which suits the music and sound you're after and of course, a good guitar lead. You wouldn't believe the differences one lead to another can make! I've always thought of this as 'gobbledygook', but believe me, there are definitely differences!
If you don't have a vast array of microphones to choose from, try each different microphone in your collection to see which one you like best. As always, trust your ears and go with the one that sounds best to you. It may not be the 'Typical' microphone for the job, but it may be the best choice depending on the sound you're after.
There are many different schools of thought when it comes to recording guitar amplifiers, none of which is the quintessential method, nor any wrong. Some people like to place two different sounding microphones up close, one sure SM57 close, a 57' up close and a condenser in omnimode somewhere within the room capturing the natural reflections, a ribbon microphone is also often used.
I have come to the conclusion that there is no "Best Method,"; experimentation is the key. A useful way of determining how the microphone sounds when in record is to send the audio back to a pair of noise-reducing headphones(In-Ear Monitors are best) whilst moving the microphone around the amplifier and the room, listening to the varying sounds that are produced. You will need to have another guitar player playing or simply use a loop pedal to feed guitar signals into your amp. You will be amazed by the differences. Also as the guitar is loud, it's a good idea to place the amplifier in a different room to your control room as you will be able to hear how it sounds through the monitors as well as your headphones.
There are two, prevalent microphone positions for recording guitar amplifiers. One is "On Axis" and the other is "Off Axis". Off Axis is when the microphone is aimed at an angle to the speaker cone and On Axis is when the microphone is pointed towards the speaker cone. On Axis will give you a more upfront and fuller sound, where off axis the soundwaves hit the microphone capsule on an angle giving it a thinner sound. On axis also gives the best rejection from outside noises and other instruments. This is useful when doing live recordings or when sound proofing isn't accessible.
Some people like to record guitar amps really loud to get "That sound", whilst others prefer to record a lower levels. I believe this greatly depends on the amplifier given; a 1watt amp will distort at lower levels than a 100watt amp. At the end of the day, it's what sounds best to you and how you play. All of the above are simply guides to your endless world of experimentation recording guitar amplifiers. Good luck!
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